Photographs of the Caribbean Linked V exhibition at Caya Grandi (Main Street) and Ateliers ’89, Oranjestad, Aruba, courtesy of Kriston Chen, Laura de Vogel, Sharelly Emanuelson, Katherine Kennedy, Miguel Lopez and Velvet Zoe Ramos
Caya Grandi
Irvin Aguilar, La Linea en la Memoria, Mural, 2018. Photo courtesy of Sharelly Emanuelson
Irvin Aguilar, La Linea en la Memoria, Mural, 2018. Photo courtesy of Sharelly Emanuelson
Irvin Aguilar, La Linea en la Memoria, Mural, 2018. Photo courtesy of Sharelly Emanuelson
Irvin Aguilar, La Linea en la Memoria, Mural, 2018. Photo courtesy of Sharelly Emanuelson
Franz Caba, Touristic Enhancements, Installation in Caya Grandi, 2018. Photo courtesy of Sharelly Emanuelson.
Franz Caba, Touristic Enhancements, Installation in Caya Grandi, 2018. Photo courtesy of Sharelly Emanuelson.
Franz Caba, Touristic Enhancements, Installation in Caya Grandi, 2018. Photo courtesy of Sharelly Emanuelson.
Franz Caba, Touristic Enhancements, Installation in Caya Grandi, 2018. Photo courtesy of Sharelly Emanuelson.
Franz Caba, Touristic Enhancements, Installation in Caya Grandi, 2018. Photo courtesy of Sharelly Emanuelson.
Franz Caba, Touristic Enhancements, Installation in Caya Grandi, 2018. Photo courtesy of Sharelly Emanuelson.
Franz Caba, Touristic Enhancements, Installation in Caya Grandi, 2018. Photo courtesy of Sharelly Emanuelson.
Adam Patterson, Buchibushi, Performance, 2018. Photo courtesy of Katherine Kennedy
Adam Patterson, Buchibushi, Performance, 2018. Photo courtesy of Laura de Vogel
Adam Patterson, Buchibushi, Performance, 2018. Photo courtesy of Laura de Vogel
Adam Patterson, Buchibushi, Performance, 2018. Photo courtesy of Laura de Vogel
Adam Patterson, Buchibushi, Performance, 2018. Photo courtesy of Katherine Kennedy
Adam Patterson, Buchibushi, Performance, 2018. Photo courtesy of Katherine Kennedy
Ada M. Patterson, Buchibushi, Performance, 2018. Photo courtesy of Katherine Kennedy
Adam Patterson, Buchibushi, Performance, 2018. Photo courtesy of Katherine Kennedy
Adam Patterson, Buchibushi, Performance, 2018. Photo courtesy of Laura de Vogel
Moko Jumbies on Caya Grandi. Photo courtesy of Laura de Vogel
Moko Jumbie Kriston Chen on Caya Grandi. Photo courtesy of Laura de Vogel
Moko Jumbie Kriston Chen on Caya Grandi. Photo courtesy of Laura de Vogel
Moko Jumbie Kriston Chen on Caya Grandi. Photo courtesy of Laura de Vogel
Averia Wright, Your Country Name, Performance/Photography, 2018. Performance photographed by Sharelly Emanuelson. Photo courtesy of Laura de Vogel
Averia Wright, Your Country Name, Performance/Photography, 2018. Performance photographed by Sharelly Emanuelson. Photo courtesy of Katherine Kennedy
Averia Wright, Your Country Name, Performance/Photography, 2018. Performance photographed by Sharelly Emanuelson. Photo courtesy of Katherine Kennedy
Elvis Lopez, Salvé Regina, Painting. Photo courtesy of Laura de Vogel
Elvis Lopez, Salvé Regina, Painting. Photo courtesy of Katherine Kennedy
Velvet Zoe Ramos, Shades of solutions / Sombra di solución, Public installation, 2018. Photo courtesy of Sharelly Emanuelson
Velvet Zoe Ramos, Shades of solutions / Sombra di solución, Public installation, 2018. Photo courtesy of the artist
Velvet Zoe Ramos, Shades of solutions / Sombra di solución, Public installation, 2018. Photo courtesy of Sharelly Emanuelson
Velvet Zoe Ramos, Shades of solutions / Sombra di solución, Public installation, 2018. Photo courtesy of Sharelly Emanuelson
Raily Stiven Yance, Sufriendo bonito o estudios a la gravedad o como un faetón caribeño, Installation, 2018. Photo courtesy of Sharelly Emanuelson
Raily Stiven Yance, Sufriendo bonito o estudios a la gravedad o como un faetón caribeño, Installation, 2018. Photo courtesy of Sharelly Emanuelson
Raily Stiven Yance, Sufriendo bonito o estudios a la gravedad o como un faetón caribeño, Installation, 2018. Photo courtesy of Sharelly Emanuelson
Raily Stiven Yance, Sufriendo bonito o estudios a la gravedad o como un faetón caribeño, Installation, 2018. Photo courtesy of Sharelly Emanuelson
Raily Stiven Yance, Sufriendo bonito o estudios a la gravedad o como un faetón caribeño, Installation, 2018. Photo courtesy of Sharelly Emanuelson
Raily Stiven Yance, Sufriendo bonito o estudios a la gravedad o como un faetón caribeño, Installation, 2018. Photo courtesy of Sharelly Emanuelson
Raily Stiven Yance, Sufriendo bonito o estudios a la gravedad o como un faetón caribeño, Installation, 2018. Photo courtesy of Sharelly Emanuelson
Work by Raily Stiven Yance. Photo courtesy of Sharelly Emanuelson
Work by Raily Stiven Yance. Photo courtesy of Sharelly Emanuelson
Work by Raily Stiven Yance. Photo courtesy of Sharelly Emanuelson
Toofprints submission #069 by Nicholas Laughlin. Photo courtesy of Sharelly Emanuelson.
Toofprints submission #066 by Richard Rawlins. Photo courtesy of Sharelly Emanuelson.
Toofprints submission #066 by Richard Rawlins. Photo courtesy of Sharelly Emanuelson.
Toofprints submission #077 by Farley Croes. Photo courtesy of Sharelly Emanuelson.
Toofprints submissions #071 by Edward Ryan and #068 by Robin Clare. Photo courtesy of Sharelly Emanuelson.
Toofprints submission #073 by Luis Vasquez la Roche. Photo courtesy of Sharelly Emanuelson
Toofprints submission #069 by Jérôme Bizien. Photo courtesy of Kriston Chen
Toofprints submissions #070 by Romelinda Maldonado and #072 by Daniel Lurvey. Photo courtesy of Kriston Chen
Toofprints submission #074 by Simon Tatum. Photo courtesy of Kriston Chen
Toofprints submissions #076 by Jamison Banks and #074 by Simon Tatum. Photo courtesy of Kriston Chen
Toofprints submission #075 by Wasia Ward. Photo courtesy of Kriston Chen
Toofprints submission #067 by Keith Kitz. Photo courtesy of Kriston Chen
Gwldays Gambie, Sensitive Cartography, Sculpture and projection installation, 2018. Photo courtesy of Laura de Vogel
Gwldays Gambie, Sensitive Cartography, Sculpture and projection installation, 2018. Photo courtesy of Laura de Vogel
Gwldays Gambie, Sensitive Cartography, Sculpture and projection installation, 2018. Photo courtesy of Sharelly Emanuelson
Gwldays Gambie, Sensitive Cartography, Sculpture and projection installation, 2018. Photo courtesy of Sharelly Emanuelson
Sharelly Emanuelson, En mi pais, Video installation, 2018. Photo courtesy of the artist.
Sharelly Emanuelson, En mi pais, Video installation, 2018. Photo courtesy of the artist.
Sharelly Emanuelson, En mi pais, Video installation, 2018. Photo courtesy of the artist.
Sharelly Emanuelson, En mi pais, Video installation, 2018. Photo courtesy of the artist.
Ateliers ’89
Irvin Aguilar, Mecanismo Racional #1, Sculpture, 2018. Photo courtesy of Sharelly Emanuelson
Irvin Aguilar, Mecanismo Racional #1, Sculpture, 2018. Photo courtesy of Sharelly Emanuelson
Adam Patterson, Costume elements from the performance Buchibushi, 2018. Photo courtesy of Katherine Kennedy
Adam Patterson, Costume elements from the performance Buchibushi, 2018. Photo courtesy of Katherine Kennedy
Adam Patterson, alternative Buchibushi mask, 2018. Photo courtesy of Katherine Kennedy
Adam Patterson, Buchibushi concept sketch, 2018. Photo courtesy of Katherine Kennedy
Averia Wright, Your Country Name, Costume from performance (left) and Pestilence, Sculptural installation (right), 2018. Photo courtesy of Katherine Kennedy
Averia Wright, Pestilence, Sculptural installation, 2018. Photo courtesy of Sharelly Emanuelson
Averia Wright, Costume for ‘Your Country Name’, 2018. Photo courtesy of Sharelly Emanuelson
Averia Wright, Detail of Costume for ‘Your Country Name’, 2018. Photo courtesy of Katherine Kennedy
Averia Wright, Detail of Costume for ‘Your Country Name’, 2018. Photo courtesy of Katherine Kennedy
Averia Wright, Pestilence, Sculptural installation, 2018. Photo courtesy of Sharelly Emanuelson
Averia Wright, Detail of Pestilence, Sculptural installation, 2018. Photo courtesy of Katherine Kennedy
Averia Wright, Detail of Pestilence, Sculptural installation, 2018. Photo courtesy of Katherine Kennedy
Series of drawings by Franz Caba. Photo courtesy of Sharelly Emanuelson
Franz Caba, Two Pigs, Ink on paper, 11″ x 15″, 2018. Photo courtesy of Katherine Kennedy
Franz Caba, Screws, Ink on paper, 11″ x 15″, 2018. Photo courtesy of Katherine Kennedy
Franz Caba, Exhale, Ink on paper, 11″ x 15″, 2018. Photo courtesy of Katherine Kennedy
Franz Caba, Scissors, Ink on paper, 11″ x 15″, 2018. Photo courtesy of Katherine Kennedy
Franz Caba, Postal, Ink on paper, 11″ x 15″, 2018. Photo courtesy of Katherine Kennedy
Franz Caba, Floats, Ink on paper, 11″ x 15″, 2018. Photo courtesy of Katherine Kennedy
Franz Caba, Asteroid, Ink on paper, 11″ x 15″, 2018. Photo courtesy of Katherine Kennedy
Franz Caba, Ambulatory, Ink on paper, 11″ x 15″, 2018. Photo courtesy of Katherine Kennedy
Franz Caba, Doppleganger, Ink on paper, 11″ x 15″, 2018. Photo courtesy of Katherine Kennedy
Franz Caba, Hauntingly Familiar, Ink on Paper, 11″ x 15″, 2018. Photo courtesy of Katherine Kennedy
Raily Stiven Yance, Manera un faeton caribeño, Video, 2018. Photo courtesy of Miguel Lopez
Segway studies by Raily Stiven Yance. Photo courtesy of Sharelly Emanuelson
Studies by Raily Stiven Yance. Photo courtesy of Sharelly Emanuelson
Sculptures from Raily Stiven Yance’s installation Sufriendo bonito o estudios a la gravedad o como un faetón caribeño, 2018. Photo courtesy of Sharelly Emanuelson
Sculptures from Raily Stiven Yance’s installation Sufriendo bonito o estudios a la gravedad o como un faetón caribeño, 2018. Photo courtesy of Sharelly Emanuelson
Sculptures from Raily Stiven Yance’s installation Sufriendo bonito o estudios a la gravedad o como un faetón caribeño, 2018. Photo courtesy of Sharelly Emanuelson
Segway sculpture by Raily Stiven Yance. Photo courtesy of Sharelly Emanuelson
Velvet Zoe Ramos, Heavy Shopper, Installation and projection, 2018. Photo courtesy of Laura de Vogel
Gallery shot, Caribbean Linked V Exhibition. Photo courtesy of Katherine Kennedy
Gwladys Gambie, Sensitive Cartographies, Marker and ink on paper, 2018. Photo courtesy of Katherine Kennedy
Gwladys Gambie, Sensitive Cartographies, Marker and ink on paper, 2018. Photo courtesy of Katherine Kennedy
Gwladys Gambie, Sensitive Cartographies, Marker and ink on paper, 2018. Photo courtesy of Katherine Kennedy
Gwladys Gambie, Sensitive Cartographies, Marker and ink on paper, 2018. Photo courtesy of Katherine Kennedy
Gwladys Gambie, Detail of Sensitive Cartographies, Marker and ink on paper, 2018. Photo courtesy of Katherine Kennedy
Gwladys Gambie, Detail of Sensitive Cartographies, Marker and ink on paper, 2018. Photo courtesy of Katherine Kennedy
Gwladys Gambie, Detail of Sensitive Cartographies, Marker and ink on paper, 2018. Photo courtesy of Katherine Kennedy
Gwladys Gambie, Sensitive Cartographies, Marker and ink on paper, 2018. Photo courtesy of Katherine Kennedy
Gwladys Gambie, Sensitive Cartographies, Marker and ink on paper, 2018. Photo courtesy of Katherine Kennedy
Gwladys Gambie, Sensitive Cartographies, Marker and ink on paper, 2018. Photo courtesy of Katherine Kennedy
Gwladys Gambie, Sensitive Cartographies, Marker and ink on paper, 2018. Photo courtesy of Katherine Kennedy
Gwldays Gambie, Moko Chadwon, Performance and photography, 2018. Collaboration with Kriston Chen, photgraphed by Laura de Vogel. Photo courtesy of Katherine Kennedy
Gwldays Gambie, Moko Chadwon, Performance and photography, 2018. Collaboration with Kriston Chen, photgraphed by Laura de Vogel. Photo courtesy of Katherine Kennedy
Gwldays Gambie, Moko Chadwon, Performance and photography, 2018. Collaboration with Kriston Chen, photgraphed by Laura de Vogel. Photo courtesy of Katherine Kennedy
Gwldays Gambie, Moko Chadwon, Performance and photography, 2018. Collaboration with Kriston Chen, photgraphed by Laura de Vogel. Photo courtesy of Katherine Kennedy
Kriston Chen, Moko Jumbie installation, 2018. Photo courtesy of Kriston Chen
Kriston Chen, Moko Jumbie installation, 2018. Photo courtesy of Kriston Chen
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